I have been working in Compositing for over 17 years in Film and TV Commercials and have had Senior Compositor, Lead compositor, and Compositing Supervisor, VFX Supervisor positions.  My career includes more than 30 feature films including Hollywood blockbusters such as WANTED (2008) and AMERICAN HEIST (2014) as well as Chinese best-sold projects like The Wandering Earth (2019) and Operation Red Sea (2018), also I made countless TV Commercials for world leader companies and brands such as Samsung, Nokia, McDonalds, Wrigley, LG, Raiffeisen Bank, Kraft Food, Efes,  Jacobs, Dove, Calgonit.

I have a broad skill set with expert experience in:

• Compositing, object integration, 2.5D environment projections, blue-green matte extraction, full CG compositing, color grading, creation nuke gizmos & nuke scripting, stereo, VR and deep compositing.  Cleanup, roto, as well.

• VFX & Onset Supervising: managing post-production teamwork, sub tasking, dailies reviewing, on shooting set problem-solving.

• Camera/object tracking (Nuke, Syntheye, PFtrack, 3Deq, Mocha)

• 3D, procedural/parametric modeling, and dynamic simulations in Houdini (including Python and VEX coding). Maya as a hard surface modeling tool, with scripting on Python and MEL. Shading/rendering in Mantra, Arnold, RedShift.

• Scripting/Programming VEX, Python, Nuke expressions and nuke particles expr., I have some Hscript knowledge.

• Digital Matte Painting in Photoshop including various techniques like re-projections in 3d and photogrammetry and overpainting.

• I have experience as a teacher in the CG field, I did create, as an employer and as an entrepreneur, Maya learning classes for those who are getting their second high education as a designer.

• CG enthusiast.

I know the cinema process from the very beginning (readings with film director, previz, the shooting process, camera lenses, file formats, editing, shot breakdown creation) to the end - meaning color spaces, compositing, finalization, and color correction.